Extending the Realm of Possibility

I recently bought a new lens, Canon's 70-200/2.8 with image stabilizer.  This is an extreme lens!  It let's you take pictures that other lenses can't take anymore.  Why?  not only is it pretty fast for a 200mm lens.  But the real kicker is the image stabilizer, which (I didn't believe it at first) allows exposures three steps longer than otherwise possible.  This means, it is possible to handhold a shot of 1/30s and still achieve decent results.   In other words, this lens is as fast as a 200mm/1.0, but with the depth of field of a 2.8.  Hence it allows you to shoot pictures handheld that were never before possible. 

This lens is not the only one that opens up new possibilities.  Similarly, Leica's Noctilux with 50mm/F1.0 enables picture taking that just seems impossible with other lenses.

BUT, it doesn't require lots of money to achieve the impossible.  Take for instance the Fuji 800 film.  It is awesome in its fine grain and high speed, AND, it can be pushed easily 1 or 2 stops.  In other words, you shoot it as if it is a 1600 ASA or 3200 ASA, and then just tell your Lab to push it during development.  Now, load this film into a camera which has a fairly fast lens (e.g., 2.0 or faster), and you have a kit with which you can take pictures in "available darkness".

Of course, once you have one of those kits, you MUST use it at its extreme end.  The "only way" to shoot a good fast lens is wide open!  Because that's where it can perform its magic. 

 

Person walking along a corridor.  No flash (of course!), aperture 2.8, about 1/60s, EOS 5 AF, Kodak Gold 400ASA.

Buy one of these little Canonets used  (about $50) in good condition, load it with your super fast film, and enjoy razor sharp pictures that others wish they could take. The Canonet has an aperture of 1.7 on its 40mm lens, and the lens is really sharp.  I had one and was utterly impressed.  Note that the Canonet, like many older cameras, does not accept a 800, 1600 or 3200 ASA settings.  You will need to use the manual setting in this case and expose all shots with a separate meter or by your best judgment.

 

© Christian Wagner, 2002